The Walt Disney Studios, Apple Corps Ltd. and WingNut Films Productions Ltd. announced today that Disney+ will bring “The Beatles: Get Back,” a Disney+ Original documentary series directed by Peter Jackson, to fans and music lovers worldwide.

Because of the wealth of tremendous footage Peter Jackson has reviewed, which he has spent the past three years restoring and editing, “The Beatles: Get Back” will be presented as three separate episodes. Each episode is approximately two hours in length, rolling out over three days, November 25, 26 and 27, 2021, exclusively on Disney+.

“As a huge Beatles fan myself, I am absolutely thrilled that Disney+ will be the home for this extraordinary documentary series by the legendary filmmaker Peter Jackson,” said Bob Iger, Executive Chairman and Chairman of the Board, The Walt Disney Company.

“This phenomenal collection of never-before-seen footage offers an unprecedented look at the close camaraderie, genius songwriting, and indelible impact of one of the most iconic and culturally influential bands of all time, and we can’t wait to share ‘The Beatles: Get Back’ with fans around the world.”

Peter Jackson commented, “In many respects, Michael Lindsay-Hogg’s remarkable footage captured multiple storylines. The story of friends and of individuals. It is the story of human frailties and of a divine partnership. It is a detailed account of the creative process, with the crafting of iconic songs under pressure, set amid the social climate of early 1969. But it’s not nostalgia – it’s raw, honest, and human. Over six hours, you’ll get to know The Beatles with an intimacy that you never thought possible.”

He added, “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”

Directed by three-time Oscar-winning filmmaker Peter Jackson (“The Lord of the Rings” trilogy, “They Shall Not Grow Old”), “The Beatles: Get Back” takes audiences back in time to the band’s intimate recording sessions during a pivotal moment in music history.

The documentary showcases the warmth, camaraderie and creative genius that defined the legacy of the iconic foursome, compiled from over 60 hours of unseen footage shot in January 1969 (by Michael Lindsay-Hogg) and more than 150 hours of unheard audio, all of which has been brilliantly restored. Jackson is the only person in 50 years to have been given access to these private film archives.

“The Beatles: Get Back” is the story of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they plan their first live show in over two years, capturing the writing and rehearsing of 14 new songs, originally intended for release on an accompanying live album.

The documentary features – for the first time in its entirety – The Beatles’ last live performance as a group, the unforgettable rooftop concert on London’s Savile Row, as well as other songs and classic compositions featured on the band’s final two albums, Abbey Road and Let It Be.

An exciting new collaboration between The Beatles and Jackson presented by The Walt Disney Studios in association with Apple Corps Ltd. and WingNut Films Productions Ltd., “The Beatles: Get Back” is directed by Peter Jackson, produced by Clare Olssen (“They Shall Not Grow Old”) and Jonathan Clyde (“Eight Days a Week”), with Ken Kamins (“The Hobbit” trilogy) and Apple Corps’ Jeff Jones (“Eight Days a Week”) serving as executive producers. Jabez Olssen (“Rogue One: A Star Wars Story”) serves as the documentary’s editor, and the music is mixed by Giles Martin (“Rocketman”) and Sam Okell (“Yesterday”).

“The Beatles: Get Back” is being made with the enthusiastic support of Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison.

Ahead of the documentary’s Disney+ debut, Apple Corps Ltd./Callaway Arts & Entertainment will release The Beatles: Get Back book on October 12th, 2021.

Beautifully designed and produced, the 240-page hardcover complements the “Get Back” documentary with transcriptions of The Beatles’ recorded conversations and hundreds of exclusive, never before published photos from the three weeks of sessions.

The collectible book will be published in nine international language editions, including English.

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Many years in the making, the fantasy world-building Kiwi filmmaker Peter Jackson presents a new adventure unlike any you’ve seen before with Mortal Engines.

Hundreds of years after our civilisation was destroyed, a new world has emerged. A mysterious young woman named Hester Shaw leads a band of outcasts in the fight to stop London – now a giant predator city on wheels – from devouring everything in its path. The film stars Hera Hilmar as Hester Shaw, Robert Sheehan as Tom Natsworthy, Jihae Kim as Anna Fang, and Kiwi Hugo Weaving as the villain Thaddeus Valentine. 

Coming to SKY Movies Premiere this weekend (Sunday 28th July 2019, 8pm), the team at SKY sent their reporter Amber Peebles to talk to the Kiwis behind the production: Peter Jackson – producer, Christian Rivers – director, and Philippa Boyens – Co-producer/Writer.

Thanks to SKYTV NZ we have exclusive access to the interview which can be viewed above.

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A dystopian future for the human race.

Remnants of giant cities cobbled together on megalothic sized vehicles roaming the wastelands, in search of remaining resources.

In the not so distant future from our current time, humanity got a bit too ‘clever’ with their smart weaponry, and unleashed a destructive force that would be otherwise unimaginable. When differing nations retalliated against eachother and detonated their weapons of global destruction, called the sixty minute war, the impact caused the Earth’s crust to break apart.

The Earth as we know it was no more.

Fast-forward a thousand years and the ancestors of those that survived now live in structures on wheels driving around the now barren landscapes looking for resources to survive, sell or collect.

Universal Pictures and Peter Jackson’s adaption of the Sci-Fi / Steam-Punk novel series by Philip Reeve, Mortal Engines fuses fantasy with (what could be) a reality, if the human race continues on its destructive path.

Parts of the city of London survived the chaos, sort of. What remained was piled upon a moving platform where thousands of people now live out their lives. This is the city life they know.

And even though the Earth has since stabilised, a ‘Municipal Darwinism’ exists with the human race. Simply living in a city on traction is the ‘only’ way to be.

London the super city on tracks, headed by Thaddeus Valentine (Hugo Weaving) ingests the smaller mobile towns incorporating and to a degree, enslaving their small population in to the workforce of London’s lower class.

Thaddeus Valentine is not only interested in hunting down the smaller towns that are navigating their way around the broken planet. He is also interested in obtaining resources to keep London going and artefacts left over from the ‘ancients’ (us in our present time).

Of particular interest for him is the ‘ancients’ weapons technology. Both a source of renewable energy but also highly destructive.

As a small mining town is swallowed up by the heaving London, one girl called Hester Shaw (Hera Hilmar) places herself on the path of revenge, managing to get in to London and seek Thaddeus to avenge her mother’s murder.

Her path crosses with Tom Natsworthy (Robert Sheehan) an employee in the London Museum who specializes in retrieving historical artefacts, and after an altercation, the premise and true nature of Thaddeus becomes apparent, both Hester and Tom must team up to survive the barren Earth. Together, but alone.

Hester is used to living rough. Seeing her Mum violently killed and trying to survive alone in an unforgiving world at the age of eight – the physically and emotionally scarred child as rescued by Shrike, one of the few remaining ‘Resurrected’. A league of cyber-flesh soldiers built for combat from the bodies of the dead.

Tom and Hester are eventually picked up by a wanted rebel and leader of the Anti-Traction League, Anna Fang (Jihae Kim). She reveals that she knew Hester’s mother and had been looking for her for years to take her in and keep her safe.

But, Hester’s past is fast catching up to her… Shrike is on a mission to find her, so that she can make good on a promise to him. Shrike who was imprisoned and freed by Thaddeus.

Mortal Engines has a lot to its story, and I’m really just covering the surface. A narrative that fully engrosses you throughout and has a very strong and relatable message to it if humans continue to make the same past mistakes.

New Zealand studio’s Wingnut Films has a few kiwiana easter eggs in the film – that the more observant will find amusing.

Mortal Engines is a hell of a Steam-Punk ride – and I suspect it is the first of many more to come in the series. It’s epic from start to finish, a film that makes what could’ve been a complicated story into a totally digestible, overly satisfying visual feast of an adventure.

See it.

The post Mortal Engines (Universal Pictures – 2018) Review appeared first on Shane the Gamer.

A talented ensemble of New Zealand actors have been cast in Mortal Engines, a film based on the award winning book series of the same name from British author Philip Reeve.

Local Kiwi actors Mark Hadlow, Nathaniel Lees, Caren Pistorius, Joel Tobeck, Stephen Ure, Maria Walker, Khan West, Peter Rowley and Megan Edwards join the cast, as well as Australians Sophie Cox, Menik Gooneratne, Andrew Lees and Terry Norris. Hera Hilmar, Robert Sheehan, Leila George, Stephen Lang and Jihae have also been previously announced.

Producing the film adaptation are Sir Peter Jackson and Fran Walsh (The Lord Of The Rings and The Hobbit trilogies), having been involved with the project for several years after optioning the rights from Scholastic. They co-wrote the screenplay with long-time collaborator Philippa Boyens (The Lord Of The Rings and The Hobbit trilogies).

Christian Rivers will direct. Christian has spent the majority of his 25-year career working closely with Jackson, beginning as a Story Board Artist, later moving into supervising visual effects and finally serving as Splinter Unit Director on The Hobbit trilogies.  Christian won an Academy Award® for his work on the 2005 film, King Kong (Best Achievement in Visual Effects). He also recently served as second unit director on the remake of Pete’s Dragon.

Production is slated to begin in New Zealand in Spring 2017, and the film is set to be released December 13, 2018.

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