Another prized jewel in the Rolling Stones’ unmatched catalogue is to be restored to its full glory and more, with the September 4 multi-format release of their 1973 classic Goats Head Soup. 

The album will be available in multiple configurations, including four-disc CD and vinyl box set editions, with a treasure trove of unreleased studio and live material.

The reissue follows the huge success and acclaim for the Stones’ “Living In A Ghost Town” single and their universally-admired lockdown performance of “You Can’t Always Get What You Want” in Global Citizen’s April special One World: Together at Home.

The box set and deluxe CD and vinyl editions of Goats Head Soup will all feature ten bonus tracks, which include alternate versions, outtakes and no fewer than three previously unheard tracks. The first of these to be unveiled, “Criss Cross”, is available as an instant grat track today with pre-orders of the album, and on all streaming and download services.

Stones devotees worldwide will be thrilled by the inclusion, on the box set and deluxe editions, of the previously unheard “Scarlet”, featuring guitar by Jimmy Page, and a third newly unveiled song, “All The Rage”.

The layered guitar textures of “Scarlet” make for a track that’s as infectious and raunchy as anything the band cut in this hallowed era. As well as Jimmy Page guesting alongside Mick & Keith on the track it also features on bass Rick Grech of Blind Faith fame.

“All The Rage” has a wild, post – “Brown Sugar” strut and the percussive “Criss Cross” rocks and swaggers as only the Stones can. The bonus disc of unreleased material also sheds new light on tracks such as “100 Years Ago” and “Hide Your Love”, with further unissued mixes by Stones insider and acclaimed producer Glyn Johns.

The box set editions of Goats Head Soup will also include Brussels Affair, the 15-track live album recorded in a memorable show in Belgium, on the autumn 1973 tour that followed the album’s late August release. This much-sought-after disc, mixed by Bob Clearmountain, was previously available only in the Rolling Stones’ “official bootleg” series of live recordings in 2012.

The Brussels show features the already-classic “Tumbling Dice”, “Midnight Rambler”, “Jumping Jack Flash” and many others, and includes a sequence of tracks from the then-new album. “Star Star” is followed by “Dancing With Mr. D”, “Doo Doo Doo Doo Doo (Heartbreaker)” and “Angie”.

Additionally, the CD box set offers the original ten-track album in 5.1 Surround Sound, Dolby Atmos and Hi-Res mixes, along with the videos for “Dancing With Mr. D”, “Silver Train” and “Angie”. An exclusive 120-page book will feature a remarkable array of photographs, essays by writers Ian McCann, Nick Kent and Daryl Easlea and faithful reproductions of four tour posters from 1973.

As McCann writes: “Goats Head Soup was released with plenty of fanfare. Despite what you may read today, the kids weren’t entirely absorbed by glam rock, metal, prog and Philly soul back in 1973, and they bought the album in their thousands, sending it to No. 1 in the USA and in the UK, their fifth consecutive British chart-topper.”

Their 11th UK studio album, recorded in Jamaica, Los Angeles and London as their last collaboration with producer Jimmy Miller, Goats Head Soup came in the wake of the Stones’ landmark 1972 double album Exile On Main St. The new set was introduced by the single that became one of their most exalted ballads, the endlessly elegant “Angie”, completed by Mick Jagger and Keith Richards during a songwriting sojourn in Switzerland.

The timeless love song, showcasing Jagger’s yearning lead vocal and Nicky Hopkins’ beautiful piano motif, topped the charts in the US, where it was certified platinum, and went to No. 1 across Europe, Australia and beyond. “We decided to do something different, and it worked,” Richards told Rolling Stone of “Angie”. “Maybe a lot of people bought it that would never buy a Stones LP.” Interestingly in a recent interview with The New York Times, Bob Dylan chose “Angie” as one of three Rolling Stones songs he wished he had written.

Goats Head Soup, with its famous David Bailey sleeve, featured the Stones’ vintage 1969-1974 line-up of Jagger, Richards, Mick Taylor, Bill Wyman and Charlie Watts, with the addition of some essential collaborators. On an album on which their trademark rocking sound was often augmented by more low-key, reflective material, there were no fewer than four featured piano players: Hopkins, Billy Preston, Ian ‘Stu’ Stewart and Jagger himself.

“Angie” was the only single to be released from the LP in the UK, where it spent two weeks at No. 5 in September. In the US, the exhilaratingly funky, horn-filled “Doo Doo Doo Doo Doo (Heartbreaker)”, featuring Mick Taylor’s wah-wah lead guitar, followed it into the top 20 in February 1974.

The many other highlights of the album included the majestically brooding opener “Dancing With Mr. D”, the lithely strutting “100 Years Ago” and “Star Star” and the graceful “Winter”. Richards’ rueful lead vocal on “Coming Down Again” featured another Stones stalwart, saxophonist Bobby Keys. “Silver Train”, the b-side of “Angie”, would be revived after a gap of some 40 years, during the Stones’ 14 On Fire tour of 2014, when Mick Taylor reprised his original guitar part in shows in Tokyo and Brisbane.

When the album was first released, reviewers lined up to sing its praises. “This is music which could only come from good musicians who know each other really well,” ruled the late and esteemed writer-broadcaster Charlie Gillett in Let It Rock. “The Stones succeed because they rarely forget their purpose — the creation of rock & roll drama,” said Bud Scoppa in Rolling Stone. “It’s deepening and unfolding over the coming months will no doubt rate as one of the year’s richest musical experiences.”

Stephen Demorest in Circus said that the album “rushes and rambles with all the power and finesse that have become the signature of the hardworking band in performance.”

Forty-seven years on, the expanded reissues of Goats Head Soup prove that’s still true, and then some.

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The post THE ROLLING STONES’ Re-Release 1973 CLASSIC appeared first on Shane the Gamer.

Whenever The Rolling Stones do anything, they do it with quality and gravitas.

Having defined rock’n’roll in the 60’s, The Rolling Stones entered their imperial phase in 1971 with Sticky Fingers. What followed is a run of albums that couldn’t have happened at any other time, by any other band: the decadent excess of Exile On Main St, the Jamaican voodoo swamp of Goats Head Soup, the disco and punk-infused prowl of Some Girls. With each new decade, the Stones evolved while staying true to their roots, coming full circle in 2016 with Blue & Lonesome, a love letter to their first inspiration: the blues.

Today, The Rolling Stones and Universal Music announce ‘The Studio Albums Vinyl Collection 1971-2016’, a brand new limited edition vinyl box set collection, featuring 15 albums across 20 LPs which will release on the 15th of June, 2018.

‘The Studio Albums Vinyl Collection 1971-2016’ presents this monumental era in rock’n’roll history in a highly bespoke, lenticular mounted, limited edition box-set housing the 15 studio albums from Sticky Fingers through to Blue & Lonesome in faithful and intricate original packaging replications. Every album has been lovingly remastered and cut at revelatory half-speed at Abbey Road Studios, from vinyl specific original tape transfers designed to get the very best possibly sound from the format. Each album is pressed on heavyweight 180-gram black vinyl and includes a download card for HD digital redemption of the catalogue and includes a numbered certificate of authentication.

Cut at half speed, these are among the highest quality vinyl pressings that these classic Rolling Stones albums will have ever received. Half speed mastering and pressed to a very high standard ensures top notch sound quality for the listener.

Special care has been taken to create packaging to the same high standards, with detailed artwork reproduction for each album including ‘Some Girls’, which comes housed in the replica design including 20 cut-outs on the cover, while the sleeve of ‘Sticky Fingers’ is presented as Andy Warhol’s original design, complete with a working zip with a hidden image underneath and ‘Exile On Main Street’ comes with a set of 12 original postcard inserts.

Abbey Road Studios’ engineers have been cutting grooves into discs since the studios first opened in 1931. In 2013, award-winning engineer Miles Showell joined their existing mastering team, bringing a wealth of disc-cutting experience with him.

One of the artisan techniques offered by Abbey Road Studios that results in the very highest quality sound reproduction is Half Speed Cutting. This process involves the master source being played back at precisely half its recorded speed while the cutting lathe is similarly turned at half the desired playback speed. This allows the cutting head twice the time to cut the intricate groove, allowing considerably more accuracy with important matters such as frequency extremes and micro-dynamic contrasts. The resulting cuts have excellent high frequency response (treble) and very solid and stable stereo images.

It’s not quite as simple as running everything at half rate. There is an EQ curve applied to all vinyl records and by running the lathe at half speed, all the frequencies are wrong. However, the technical staff at Abbey Road Studios have had new custom-built filters installed which allow Miles to practice half speed cutting to the full on a modified Neumann VMS-80 lathe.

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This December will see the release of The Rolling Stones – On Air, a collection of rarely heard radio recordings from their formative years. The songs, including eight the band have never recorded or released commercially, were originally broadcast on bygone UK BBC shows such as Saturday Club, Top Gear, Rhythm and Blues and The Joe Loss Pop Show between 1963 and 1965.

Released via Polydor Records (through Universal Music Australia) on CD, double CD deluxe edition, heavy-weight vinyl and special limited-edition coloured vinyl, these flashbacks offer an insight into the band as a vital and constantly surprising live unit. Such was the frequency with which they visited BBC studios in the 60’s, the group constantly set out to offer listeners something different. As well as songs that never appeared on singles or albums, there are seven tracks that were debuted over the airwaves before featuring on albums or EPs.

The group’s take on familiar R&B staples like ‘Roll Over Beethoven’, ‘Memphis, Tennessee’ and ‘Beautiful Delilah’ (all originated by Chuck Berry) illustrate the verve and energy the Stones regularly brought to their live shows. The BBC would urge them to perform their current singles, and while happy to do so they also relished the opportunity to showcase a fuller picture of their prowess as Britain’s foremost blues outfit, packing clubs and ballrooms night after night.

Among the 32 tracks, first heard ringing out of transistor radios over a period of just under two years, is ‘Come On’, the group’s debut single and also the first number laid down for the iconic Saturday Club, hosted by the late, legendary Brian Matthew. ‘Come On’ is released as the first track from the album and is available now on digital and streaming services. Other highlights include the strutting ‘Fannie Mae’ (originally recorded by bluesman Buster Brown in 1959), Tommy Tucker’s ‘Hi Heel Sneakers’, and Bo Diddley’s ‘Cops And Robbers’.

Nestling among the illustrious and well-chosen cover versions, are raw and vibrant renditions of Stones Jagger/Richards originals, such as ‘(I Can’t Get No) Satisfaction’, ‘The Last Time’ and ‘The Spider And The Fly’ in a form closer to the thrilling immediacy of the band’s live shows than on vinyl. These recordings bring the listener as near as possible to the excitement of the era without actually being there in person.

If last year’s collection of new recordings of past masters Blue & Lonesome presented the Stones returning to their roots after more than 50 years, On Air is the perfect “sister” compendium, a lovingly curated and restored treasure trove that puts the listener front and centre in the eye of the original storm.

To help recapture the spirit of the songs when they were first performed, the tapes have gone through a process called “audio source separation”, which involved de-mixing the transcripts and allowing engineers at Abbey Road access to the original instrumentation and voices within each track, so that they could be rebuilt, rebalanced and remixed to achieve a fuller, more substantial sound.

The end result is the Stones at their most passionate and intense, transporting listeners back to the band’s lean and hungry years when their standing as household names was already assured, and global domination was just 12 bars away.

The variety of radio shows from which the material is compiled is testament to the special relationship the Stones had with the BBC from the very beginning of their recording career. The music speaks for itself, but On Air also serves as an important historical artefact, and an essential of the group’s impressively evergreen canon.

The Rolling Stones – On Air offer a unique insight into the formative days of The Rolling Stones a few years before ‘The Greatest Rock ‘n’ Roll Band in the World’ became a reality this was a band playing the music they loved so much – Blues, R&B, Soul and even the odd country song. Performing these songs night after night in clubs and dancehalls meant they are all honed to perfection and performed with the genuine love and affection that The Stones have for their musical heritage.

This album follows the recent release of The Rolling Stones – On Air coffee table book, by Richard Havers and published by Virgin Books.

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